Passing Time with Indie Author, Ellie Garratt!

Today I am very happy to have indie author Ellie Garratt as an interviewee here on Written Worlds!
Author Ellie Garratt

Author Ellie Garratt

Ellie Garratt is a science fiction and horror writer. A life-long addiction to reading science fiction and horror meant writing was the logical outlet for her passions. She is a reader, writer, blogger, Trekkie, and would happily die to be an extra in The Walking Dead. Her short stories have been published in anthologies and online. Passing Time: Nine Short Tales of the Strange and Macabre and Taking Time and Other Science Fiction Stories are now available on Kindle. Other eBook formats to follow soon. In early 2014, she will be launching a nine-part science fiction serial called The Third Dimension.

Please tell us a about yourself. 

My name is Ellie Garratt. I’m from the United Kingdom, and live in the sometimes sunny South Devon. I’m also fortunate enough to live a five-minute walk from the sea. When I’m not writing, I love to read and go on long walks.

Which project are you currently promoting?

Due to technical issues with Amazon Kindle, I’ve just published second editions of my two short story collections – Passing Time: Nine Short Tales of the Strange and Macabre and Taking Time and Other Science Fiction Stories. I’m also in the process of making both these books available in other eBook formats.

What genre do you generally write, and why did you choose it?

I write horror and dark science fiction. I love to read and watch movies/television programmes in both genres, so it feels natural to write in both.

What sparked your passion for books and the art of a good story?

I was lucky to have parents who knew the importance of learning to read and write, and I devoured books as a child. The library was one of my favourite places. I was also a child who wouldn’t stop talking – my school reports can contest to that fact- and I loved telling stories, whether true or made up.

Is there a particular book that changed or affected your life in a big way?

There are two books. The first book I fell in love with was Black Beauty by Anna Sewell. I remember reading it over and over, even using a torch under the bed covers so that my parents thought I’d fallen asleep. It opened my eyes to how magical books can be. The second book is The Stand by Stephen King. It introduced me to the horror genre, and the idea of creating not just a story but a whole different world.

Who is your author idol?

That’s a tough one to answer. I would have to say Stephen King, but there are a few authors that have come close over the years. This year’s would be Hugh Howey. If you’ve not read his Wool trilogy, you must.

When you’re writing a book or short story, do you plan it out meticulously or just write stream-of-consciousness?

I usually have a rough idea of the start and how it may end, but I’m what’s known as a pantser – the story generally ends up writing itself. If I try to plot, my creativeness is stifled and I lose interest.

What does your workspace look like?

I have to admit I’m a little OCD about my writing desk. It has to be tidy and organized, or I can’t write. My desk is in front of a big full length window, and I can see the river. It’s a great view.

What is the best advice you can give to a new author?

Read a lot. Then practice a lot. Finally, don’t expect the first draft to be perfect. It won’t be. That’s what editing is for.

Thank you, Ellie, for a great interview!

You can find out more about Ellie Garratt and her work via these links:

Passing Time: Nine Short Tales of the Strange and Macabre

Passing Time by Ellie Garratt

Passing Time by Ellie Garratt

Book Blurb

Nine dark fiction stories that may just give you nightmares.

A man lives to regret Passing Time. A father will do anything to save his son in Expiration Date. An author finds out her worst nightmare is back in The Devil’s Song. A woman gets more than the claim fee when she takes out vampire insurance in Luna Black.In Dining in Hell, the Death Valley Diner becomes the wrong place to stop. A serial killer wants to add another file to his collection in The Vegas Screamer. In Eating Mr. Bone, an undertaker could meet an unfortunate end. A con man meets his first ghost in Land of the Free. And will truth finally be set free in The Letter?

Taking Time by Ellie Garratt

Taking Time by Ellie Garratt

Book Links

Amazon

Amazon.co.uk

Facebook

Goodreads

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Catching Up With Fantasy Artist, David M. Rabbitte

David Rabbitte at ComicCon

David Rabbitte at ComicCon

Back in January I interviewed fantasy artist David M Rabbitte, known for his Star Wars and Lord of the Rings art, as well as the magnificent background vistas seen in such animated films as Anastasia and Titan A.E.

I caught up with David after his return from ComicCon 2013 in San Diego…

Mark Knight: David, you attended ComicCon in San Diego recently. This has not been your first ComicCon. How many years have you been attending and what is your routine as a guest artist?

David Rabbitte: I have been attending Comic Con since 1996 as an attendee and I have been set up in Artists’ Alley since 2008. I would typically have a table where I would sell my printed art and do on site commissions upon request from attendees.

Mark Knight: Part of your display was the artwork you completed for my upcoming teen novel, Solomon Grimm and the Well of Souls. Talk about some of the other book cover commissions you have done and the challenges they presented.

David Rabbitte: I have worked with both independent authors and established publishers. The art direction varies with each publisher. My first professionally published book was for Marvel/Byron Preiss Books around 2001, when I was asked to produce three covers for the X-Men novel trilogy X-Men: The Legacy Quest. They went through a series of changes as instructed by the art director and Marvel, which sometimes included reworking the layout before going to color.

On another occasion I did a cover piece for Muppet Peter Pan published by Boom! Studios, for which the art direction was pretty straight forward with almost no changes. I sent them a few sketches as ideas for the cover, and the picked the one they liked. I went on to color and it was approved.

With independent authors the cover is of characters and a story which is invented by them, so I would ask for any information that would help in bringing their ideas to life. Occasionally they would provide me some photo reference to help me visualize what they are trying to convey.

David Rabbitte Star Wars Art

David Rabbitte Star Wars Art

Mark Knight: You have done sketch cards for both the Star Wars and Lord of the Rings franchises, which have proven very popular with collectors. Why do you think these two fantasies continue to endure?

David Rabbitte: Lord of the Rings is just an amazing story populated with wonderful characters. Tolkien didn’t just write a story – he created the world of Middle Earth in such depth you can almost believe it actually existed.

Star Wars is so unlike other science fiction films because it really isn’t sci-fi at all, it’s a fairy tale set in space. It is a story which contains those ideas which stand the test of time. Up until the release of the original film, we had not seen a movie of this genre done in such a unique way that was also believable.

Mark Knight: Lastly, what is your current project?

David Rabbitte: I just finished working on some sketch cards for Topps for their Star Wars Galactic Files series 2. Right now I am working on another exciting card set for a different company, but I can’t share anything about it yet – keep an eye out for news on my website though, as I will be posting more about that in the coming months!

Solomon Grimm art at ComicCon 2013

Solomon Grimm art at ComicCon 2013

Author Tara Fox Hall!

Tara Fox Hall

Tara Fox Hall

Tara Fox Hall’s writing credits include nonfiction, horror, suspense, action-adventure, erotica, and contemporary and historical paranormal romance. She is the author of the paranormal action-adventure Lash series and the vampire romantic suspense Promise Me series. Tara divides her free time unequally between writing novels and short stories, chainsawing firewood, caring for stray animals, sewing cat and dog beds for donation to animal shelters, and target practice.

Tara Fox Hall is an OSHA-certified safety and health inspector at a metal fabrication shop in upstate New York. She received her bachelor’s degree in mathematics with a double minor in chemistry and biology from Binghamton University. Her writing credits include nonfiction short stories, flash, short and novella-length horror stories, and contemporary and historical paranormal romance.

Her horror stories have appeared in Deadman’s Tome, Flashes in the Dark, Ghastly Door, The Halloween Alliance, Black Petals, SNM Horror Magazine, Microhorror, Dark Eclipse, Cemetery Moon, and various anthologies, including the recently published charity works Fear (Vol. 1) and Shifters. She also coauthored the essay “The Allure of the Serial Killer,” published in Serial Killers – Philosophy for Everyone: Being and Killing (Wiley-Blackwell, 2010). She is the author of the paranormal fantasy Lash series and the paranormal romantic drama Promise Me series. Tara divides her free time unequally between writing novels and short stories, chainsawing firewood, caring for stray animals, sewing cat and dog beds for donation to animal shelters, and target practice.

Tara Fox Hall on vampires: “I’ve loved vampires since I saw Frank Langella in the first “hot vampire” version of Dracula years ago. That love intensified in my later teens with The Lost Boys, and reading Interview with the Vampire, along with anything vampire I could get my hands on. But I wanted more than the evil monster chasing young virgins; more than the sweet, misunderstood handsome fanged stranger that becomes the perfect mate for the woman who captures his heart after so many lone centuries. I wanted a vampire so well-crafted in detail that I could believe he was real. I wanted something different to happen in the story, other than girl becomes vampire, or vampire becomes dust. I wanted passion, tragedy, romance, suspense, action, and the haunting sweetness of poetry and song floating on a soft night breeze. So I penned my own vampires.”

Tara Fox Hall talks about her latest book: “My latest book is Taken for His Own, the fourth instalment in my Promise Me Series. It takes up where the third book left off. Sar had done her best to rebuild her life when her fiancé Theo went missing. She’s partnered with her former vampire lover Danial to raise Theo’s daughter Elle (Elle’s natural mother is dead from childbirth complications). She’s also had a child of her own with Danial, Theoron, and is trying to come to terms with her inevitable turning from human to vampire.

“When she finds out Theo’s alive, she can’t stop herself from journeying west to find him, and confront him about where he’s been for the last year and a half. This is where Taken for His Own begins. After a passionate reunion and a hasty marriage, the two lovebirds are headed back east. But picking up the pieces is far from easy. While Danial is accepting of Theo’s return, Elle prefers her vampire adoptive father over Theo. More than one enemy is waiting in the wings, making repeat attempts on Sar’s life. Add into the mix Devlin, Sar’s old enemy who’s now turned good guy, and a new paramour for Danial and you’ve got a powder keg primed to explode.”

Promise Me #1

Promise Me #1

Website: www.tarafoxhall.com

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Book Title: Promise Me (Promise Me Series #1) – Vampire romance
Format: print and e-book
Pages: 233
Date Released: June 2012

Interview With The Vampire (Hunter)!

These days, people love all things vampire, be it Twilight, True Blood, or The Vampire Diaries. Horror movies reign supreme. The supernatural continues to be very popular.

For those of you who have read my Young Adult urban fantasy novel, Blood Family, you will know that it features a whole host of vampire hunters, including Logan DuPris, her father, Quenton DuPris, and reluctant vampire tracker Pastor Nathan Dark.

But they are fiction.

What about reality? Are there really – I mean REALLY – vampire hunters in this world? Well, I tracked one down and have interviewed him for Written Worlds! Get your crosses and garlic ready, and read on…

Bishop Seán Manchester

Bishop Seán Manchester

You will be more than a little amazed by his blood-curdling accounts of Bishop Seán Manchester.

Bishop Manchester has specialised in the ministry of exorcism for four decades, having entered the Minor Order of Exorcistate in early 1973 and acknowledged by many as one of Britain’s foremost authorities on demonology (including vampirology) and exorcism.

He has appeared on Coast to Coast radio and has written several books, including The Vampire Hunter’s Handbook.

I am very happy (and a little intimidated!) to be interviewing him for Written Worlds…

Mark Knight: You came into the spotlight with the Highgate Vampire case in the 1970s, but your interest and knowledge of vampires no doubt goes back further in time. When did you first start researching this unusual subject?

Seán Manchester: Serious introduction to the subject came about in the 1960s (I cannot recall precisely when) with my reading The Vampire: His Kith & Kin (1928) and The Vampire in Europe (1929), both by Montague Summers, prior to which the supernatural had always held a fascination since early childhood. Summers led me to read more obscure vampirological works from earlier centuries. I have the good fortune to know quite well someone who themselves knew Montague Summers and received from Summers a “vampire protection medallion” (referred to and illustrated in The Vampire’s Bedside Companion anthology published in 1975 where I also make a contribution). The medallion has been bequeathed to me by its owner.

Mark Knight: How much of the current vampire lore is generated by Hollywood and how much of it is genuine? Or is any of it genuine?

Seán Manchester: I am unfamiliar with much of the current culture appertaining to vampires and vampirism, but I suspect it has little bearing on the lore of centuries past. My knowledge, albeit supplemented by experts from yestercenturies, is based more on experience than it is on speculative consideration and contemporary culture.

Bishop Seán Manchester

Bishop Seán Manchester

Mark Knight: Among your fields of research are the areas of demonology and demonaltry. Please can you explain the meaning of these two terms?

Seán Manchester: The word “demonology” refers to the study of demons whereas the word “demonolatry” covers the study of those who practice diabolism and the minutiae of their darkly occult ritualism. Since the late 1950s and early 1960s the word has also been adopted by diabolists themselves as a reference to describe their demon worship. When I use the word it is in its older meaning, that is, pertaining to studying and researching about diabolists and their sinister practices.

Mark Knight: What would you say to someone who insists that vampires and demons do not exist in the real world?

Seán Manchester: I think you will find that most people not only dismiss the existence of demons (vampires are predatory demons) in our largely atheistic, secular society, but all things supernatural. I would merely say that I hope they are never confronted by the demonic whilst I pray they encounter the angelic. To those who do not believe, no amount of words from me will convince them of anything supernatural, whereas no words or convincing are required from me to those who already believe.

Mark Knight: Would you recommend anyone who is interested in vampirolgical research and demonology to get involved and if so, what advice would you give him/her?

Seán Manchester: I would not advise anyone to “get involved” unless they absolutely know they have a definite calling to the ministry of exorcism. Then I would advise them to seek out a traditionalist branch of their Church. Otherwise, study the subject by all means, but do not dabble in it or otherwise become involved.

Self Portrait with Stake

Self Portrait with Stake

Mark Knight: Lastly, what are your current interests and projects? Who is Seán Manchester in everyday terms, outside of all things clerical?

Seán Manchester: I do not like to talk about projects where I am only a consultant or contributor (and there are several) or where I have been asked not to discuss the project until it is in post-production and closer to release. Where I am solely in control I would feel free to engage in that conversation and only then where it does not compromise the integrity of the project or any confidences placed in me by other people.

Outside of all things clerical, I am a portrait artist (oil on canvas), a photographer, poet, musician and composer. I am a collector of antique objects ranging from sacred relics to Byronania, rare books, paintings, phonograph cylinders and 78rpm records, daguerreotypes, Victorian and Edwardian photographs, artifacts, curiosities and miscellany. I have a number of old cameras, my favourite being a 19th century Thornton & Pickard brass and mahogany plate camera. The majority of my antiques are 19th century and earlier with only a few specific items of more recent vintage.

Artifacts most precious to me are the relics of saints and those awaiting canonization, that is, the venerated and the beatified. These are housed in reliquaries installed at my private retreat. I have written a memoir which I doubt I shall ever offer for publication. My current instruction is to have it burned to ashes upon my demise.

If you want to delve deeper into the supernatural world of Bishop Seán Manchester, then open the vault to his website and Facebook page.

Don’t forget your Holy Water…

Vampire Hunter's Handbook

Vampire Hunter’s Handbook

Highgate Vampire

Highgate Vampire

Interview with Dr Bob Curran – Paranormal scholar!

Vampires: A Field Guide to the Creatures That Stalk the Night by Bob Curran

Vampires: A Field Guide to the Creatures That Stalk the Night by Bob Curran

Bob has traveled many parts of the world, exploring other people's cultures and traditions. Author Bob Curren lives in Ireland, not far from the famous Giant's Causeway.

Bob has traveled many parts of the world, exploring other people’s cultures and traditions. Author Bob Curren lives in Ireland, not far from the famous Giant’s Causeway.

Today I am very honoured to have Dr Bob Curran appear on Written Worlds. Many of you will know Bob from his many books, especially those that explore the origins of all things supernatural.

Bob lives in Derry, Northern Ireland, not far from the world-famous natural basalt land feature known as the Giant’s Causeway.

Bob has been a frequent guest on Coast to Coast am radio and numerous other shows. His books include American Vampires, Man-Made Monsters, and The World’s Creepiest Places.

First of all, Bob, I would like to thank you for appearing on Mark Knight’s Written Worlds. You certainly know your supernatural stuff, and have quite a few books out there on the subject.

Bob, you are a prolific writer. Your books about the origins of supernatural beings have been very popular. What compelled you to write about vampires, faeries, and werewolves?

I grew up in a largely rural mountain community in Northern Ireland during the late 1940s/early 1950s in which tradition and superstition often played a significant part in everyday life. For example, when I was a child there was a widespread belief in both fairies and ghosts – it was believed for instance that fairies could spirit away children or could cause illness in both livestock and in humans – and this to some extent shaped the world around us. At certain times of the year, the dead were believed to walk the lonely roads around my home and few would venture out after a certain time of day. There were too, old earthworks and standing stones all about – some with a particularly evil reputation and this determined, as children, where we could go and play.

I remember when I was very young, hearing of a girl in our area who had simply vanished near an old stone – there was a hunt for her for several days but she was never found, goodness knows what had actually happened to her – and being told that the fairies or sheehogues had taken her and I was not to visit that site or the same would happen to me.

I was raised mainly by my maternal grandmother and grandfather and it was from him that I got my love of storytelling. As a young man, he had been a labourer in many parts of the North and he had a fund of stories that he could draw on – many concerning ghosts, witchcraft and the supernatural. Such beliefs determined both my community and my grandfather as an individual and so you could say that it also formed part of the culture that I grew up with and that it became ingrained within me.

Later, I began to travel a bit and I began to see how culture and belief systems were replicated in various ways in other parts of the world. Each culture seemed to have variants of fairies, werecreatures, walking dead etc. which somehow underpinned and to some extent explained the world around it.  So I began to write about it in my books, I suppose as a way in which to explore my own past and  to understand what my community was like when I was growing up.

I suppose the question for me is not whether or not these being actually exist – they may do, they may not – but rather why we would want to believe in them and what they tell us about ourselves. And what they tell me about myself.

You have appeared on Coast to Coast and other radio shows, and are always a popular guest. What do people ask you about the most when they phone in to a radio show or podcast?

In a sense this question continues on from the last. Not only do I get a host of e-mails with questions and comments – some through the publishers and some directly to me. A good number of them ask me or want to tell me about experiences which the caller/writer has had. In these situations people are trying to make sense of the world for themselves and to determine their place in, in relation to other things.

I suppose speaking with a psychologist’s hat on, some people are seeking reassurance that they are not “bizarre” or mad; others might be seeking a rational explanation for an event which they can’t really explain for themselves, others still want to know how what I write fits in with other things that they have read pr are thinking about.

Other questioners want to ask me about my religious beliefs and how what I write fits in with them. I have received communications from Born Again Christians who tell me that I shouldn’t be dealing in such things, even to explain them to myself. It is of course their right to question me in this as it frames up their world for them and gives them some form of certainty. Mind you, I’ve been already denounced here in Northern Ireland and in print as “the physical embodiment of the Antichrist” by a leading minister.So you now know who you’re talking to!

But I get all sorts of questions on all sots of topics and no matter how strange I always try to answer them as best I can.

Vampires seem to be perennially popular. You have written three books about them. Do you think that they could actually exist?

Vampires are indeed extremely popular and I think they have changed a lot over the years. For instance, when I was growing up, the vampire was a tall and saturnine East European nobleman who looked something like Christopher Lee who lived in a ruined castle somewhere in the Carpathian Mountains. Now vampires can be some angst-ridden teenager who attends a local high-school somewhere near you. In between these are languid aristocrats who inhabit some gloomy area of New Orleans.

What interests me most is not whether or not they actually exist but why we would want them to. As you say, they have been perennially popular down the years and almost every culture in the world has its own variation of them. Therefore what fundamental human questions does a belief in vampires address?  I would think it might try to answer a couple of them…

A) What happens to us after death? Death is of course the last great mystery. Nobody has ever come back to give us a detailed account of what happens beyond the grave so we can speculate.

B) What would it be like to live forever? Would there be some sort of price it we did? I think that the idea of vampires addresses some of these questions in part – there are of course a number of other elements in the vampire motif such as eroticism, eternal youth etc. Much of our perceptions of the creature are of course determined by the wider popular culture, through books, television and films.

As I said earlier, it was the vampire films of Christopher Lee which determined how vampires “looked” when I was growing up but if you go back earlier you’ll see the horrible creature in black and white films like Nosferatu as portrayed by Maximilian Shrek.

Nowadays, in our celebrity based culture, the vampire has to look something like a rock star. Therefore, here in the West the idea of the vampire emerges out of the dominant culture and often how we see ourselves. In other cultures it emerges out of the fears and nightmares of the people – the old woman living alone; the person who is slightly at variance with his/her community, those who have different ways. These get absorbed into the wider myth. So in a sense it is possible to say that vampires do exist – but only because we create them.

Bob, you have compiled a great deal of information about folklore, and have travelled to many countries. What is the most bizarre myth or legend you have come across?

In a sense, the folklore of any community or country is shaped by the perceptions of the people. This is why I’ve argued that some of these old tales are just as important as actual historical documentation in that they tell us how our ancestors—and their culture—have framed up the world for themselves. And each community frames that world up in a slightly different way. So the culture of say the Middle East is a bit different from that of Western Europe but essentially they address the same problems because no matter where we live, human experience is roughly the same for us all. We’re born, we love, we eat, we sleep, we die – no matter who we are or what status or culture we belong to, the broad experience of being human is roughly the same.

But there are idiosyncrasies in every community/culture just as there are in human  beings, that’s what makes the traditions and folklore of different parts of the world distinctive in their own right. Legends too serve to explain and to provide a context for experience and each one is distinctive. We only consider them to be bizarre, I suppose, if they don’t conform to our own interpretations of the world.

So I don’t think there is a “most bizarre” myth or tradition. Although many would appear to be unique to the culture that has produced them, I think that, in their own way, every one tries to explain some aspect of human experience

You were of great help to me when I was writing my Young Adult novel, Solomon Grimm and the Well of Souls, which is out later this year. The book is set mainly in Ireland and deals with many of the weird and wonderful supernatural creatures known to Irish folklore – the marbh bheo, the Dullahan, and sheehogues. There seems to be more supernatural folklore in Ireland than anywhere else, yet people really only know about the banshee. Why do you think this is?

The Irish are great storytellers and much of their tradition —and culture—in an oral one which has, up until recently, been passed down across the generations.

My own grandfather for instance was a known seanchie —a man of lore or a storyteller who kept old stories and local knowledge alive in the area around our home. Over my lifetime, such tradition has more or less died out, even in country places, largely thanks to television and other media. So it’s no real surprise that some of the beings and entities have in many ways passed into obscurity.

Another point is that although such beings are weird and wonderful they were largely localised and were possibly the product of a localised and tightly knit community. There were of course more widely recognised beings such as —as you say—the banshee or the leprechaun which often travelled with the Irish people, although there were localised variants of each. The leprechaun is well-known I think because of Irish marketing —he seems to appear on everything Irish. And of course the banshee —which also appears in various localised forms—has always been associated with the Irish and in particular the Irish abroad. However, other entities —the Dullahan, the Far Gorta and such were more localised in their aspect.

Bob, you are also involved with your local community in Derry, Northern Ireland. Tell us a little bit about the causes you support, and any important issues that visitors to this blog may be interested to hear about.

The community work is another aspect of my life and is one that I was involved with even before I started writing. I came into it through community education which more or less developed to encompass other social and community problems. I am now working in a part-time capacity for the Office of the First and Deputy First Minister of Northern Ireland. That’s not as grand as it sounds of course but there’s quite a bit of work involved.

Here in Northern Ireland we’ve come through between thirty or forty years of conflict. Although we now have what might be described as a “Peace Process” in operation things are by no means over. Scars have been left on many communities —and on individual lives—by conflict; despite the relative peace, paramilitaries still hold a great deal of sway in certain areas and there are still deep sensitivities amongst many people. A good many of the communities have been left devastated, both in a financial, resource and personal sense by the years of conflict.

Part of my job is to go into these communities from which the paramilitaries have more or less withdrawn and help them to rebuild their sense of identity, their confidence and their financial resources. Some of this is done through education – the development of local history programmes for instance —some of it is done through organising local events; some of it is done by working on community projects. Some of my work is done on a cross-community level by organising shared events between Catholics, Protestants and other nationalities —for example in some areas we have large Polish, Chinese and Indian populations who sometimes find it difficult to integrate into already existing communities. I help them set up bodies which will aid that. And, as funding for community programmes gets tighter and tighter, I have to encourage small groups in certain areas to work together – sometimes Catholic and Protestant, sometimes Northern Irish people and other nationalities; sometimes places here there have been local tensions. It’s not always easy.

For instance, I’m working with a small village in North Antrim which has only one street but four community groups operating there, none of which speak to the other. And they’re all Protestant, though varying shades of Protestant perspectives. So a lot of my work comprises educator, counsellor, peacemaker and government official – often with varying degrees of success. And of course in some of the areas I work in —particularly the large estates on the edges of towns—the paramilitaries are still pretty much in control and I have to negotiate setting up community programmes with them. On some occasions I’ve been sitting in a room negotiating with men wearing shoulder holsters and on a couple of times a loaded firearm has been set on a table in front of me.  It can get a bit scary at times. But of course, it’s not all like that —just a few instances.  However, things can still be a bit tense in Northern Ireland.

The recent flag protests have created problems in some areas and recently I suffered from bruised ribs when I was hit by some concrete thrown by a protestor at a venue which I was doing a presentation. But these things are few and far between and are part of the job.  However, the tensions are still very high in some areas – mainly stirred up by paramilitary elements – and so 2013 has really hit the ground running for me in that respect.  

I also chair a couple of community programmes on some of the large and generally neglected estates across Northern Ireland – one, for instance, to help young mothers get qualifications by providing education on their estate and crèche facilities for their children.  I was one of a team who set that up from scratch and it’s now running very well. I step down as chair but remain involved next week.

On an individual level I run a couple of weekly trauma programmes in a nearby town —this was something I set up at the end of last year and which has been a success. This is mainly for the unsung victims of the conflict —people who have had relatives shot, blown up or who have been affected by the conflict in some way. Sometimes people have had to flee the areas they were brought up in and are just feeling lonely where they’ve had to settle. I’ll work with them all. It’s a small contribution but I like to think that I’m doing a little bit to make life more tolerable in Northern Ireland. Although we have a so-called peace process it’s far from perfect and there’s still a great deal to do it we’re to move forward.

Finally, what is the subject of your next supernatural book?

Because of the community issues – and they have got worse over the last four or five months largely because of the flag protests and other elements – I’ve not had as much time to write as I would like. Still having a think about some major books and discussing them with publishers.However, there are a couple of illustrated books coming up for which I’ve done/am doing the text.

One is the Carnival of Dark Dreams and the other is The Witch Hunter’s Handbook. Also another project which I don’t want to say too much about as nothing’s been finalised as yet. But keep watching this space!

More on Dr Bob Curran, his works, and latest projects on his official blog site: drbobcurran.blogspot.co.uk

Book List:

American Vampires

Vampires are much more complex creatures than Buffy The Vampire Slayer, Twilight, True Blood, or scores of other movies and television shows would have you believe. Even in America.

Vampires are much more complex creatures than Buffy The Vampire Slayer, Twilight, True Blood, or scores of other movies and television shows would have you believe. Even in America.

Bloody Irish: Great Irish Vampire Stories
Celtic Lore & Legend: Meet the Gods, Heroes, Kings, Fairies,
Monsters, and Ghosts of Yore
Vampires: A Field Guide to the Creatures That Stalk the Night
Encyclopedia of the Undead: A Field Guide to Creatures that
Cannot Rest in Peace
Walking with the Green Man: Farther of the Forest, Spirit of Nature

Lost Lands, Forgotten Realms: Sunken Continents, Vanished Cities,
and the Kingdoms that History Misplaced
Zombies: A Field Guide to the Walking Dead
Werewolves: A Field Guide to Shapeshifters, Lycanthropes, and
Man-Beasts
Biblio Vampiro: An Essential Guide to Vampires and, More Importantly,
How to Avoid Them
The Werewolf Handbook: An Essential Guide to Werewolvesand, More Importantly, How to Avoid Them
Man-Made Monsters: A Field Guide to Golems, Patchwork Soldiers, Homunculi and Other Created Creatures
A Haunted Mind: Inside the Dark, Twisted World of H.P. Lovecraft